Monday, 15 February 2010

NEW MIX FROM MOI - I LOVE YOU BUT I'VE CHOSEN DISCO..



Just had a cracking weekend playing at Detached at Beaverworks in the new Room 4 - the event was absolutely heaving and there was some top class techno being knocked out in the main room. The Modern Love showcase downstairs was quite lush on the ears and the venue itself is quite simply amazing - warehouse vibes central. Anyhow, new mix from me, representing what you would expect to hear should you catch me playing anywhere.

DOWNLOAD HERE

TRACKLISTING:

1. Unknown Super Dooper Edit [Unknown}
2. Mark E - Déjà vu [Running Back]
3. Joey Negro - Put a Lyric in it (Revenge edit) [Z Records]
4. The Mole - Fats Edit [Philpot]
5. 6th Borough Project – McLovin [Permanent Vacation]
6. Move D feat. DJ Late - Computer Flop [Workshop]
7. Soundstream - Soul Train [Soundstream]
8. Crazy P - Never Gona Reach Me [2020 Vision]
9. Fernando – Scarecrows [Redux]
10. Chris Carrier - I'm in Love Today [Silver Network]
11. Patchworks - Brothers on the Slide (Jimpster Remix) [Still Music]
12. The Mole - Guilty Pleasures [Internasjonal]
13. Chris Carrier and Jef K - Get Up [Silver Network]
14. Studio - Life's a Beach (Todd Terje Edit) [Information]
15. Chamboche - Feverish (The Revenge Remix) [Under The Shade]
16. Tensnake - Coma Cat [Permanent Vacation]

Blog: www.oddsocksnopants.blogspot.com
Myspace: www.myspace.com/ohmzb
More Mixes: AdamDaniels

BIO:

Five years ago, I would have been plying your ears with two mixes of sci-fi electro so spooky it would have had Luke Skywalker running for his light sabre. Whilst I am still a massive fan of the aforementioned music, over the past 2-3 years (and especially now I have reached the grand old age of 25) I have been getting more and more into the dubby, disco and downtempo sounds that my local record emporium has been able to provide. This was initially due to my residency at Kill The Disco (see below) where I realised the latest Anthony Rother and DMX Krew releases perhaps wouldn’t suit an 8pm warm up slot, but since then, my hunger for these sounds has burgeoned and now I quite frankly cannot get enough! A very bizarre Monday night in Berlin dancing to the most unbelievable underground 80’s disco music in the infamous Tachelles Squat venue has further increased my appetite to expand my knowledge of disco music both old and new.

In the previous few years I was involved in running a night entitled ‘Kill The Disco’, which began in my hometown of Middlesbrough before emigrating to Leeds when the vast majority of us involved began University commitments there. Will Saul, Marc Ashken and DNCN were among some of the many guests knocking out shapes behind the hallowed turntables. The night ran for the best part of a year and a half and grew from a weekly free party in a small bar to hosting numerous events at both the Mint Club and Cornerhouse. More recently I have begun playing in the back rooms at the last few Detached nights at Beaverworks, with headliners such as Derick May, James Ruskin, Andy Stott and Pendle Coven appearing on the same line up. I also play the Cognosco after parties at various venues of debauchery across the city.

I have been a runner up in the I-DJ raw talent competitions twice, once in May 2005 and again in July 2006. I ran a radio show entitled 'Live @ The Underground' on www.lsrfm.com for three years whilst I was studying for my BA and over the duration of the show we attracted guest mixes and appearances from the likes of Billy Nasty, Tim Sheridan, Ellen Allien, Slam, Marco Passarani and James Holden amongst many others. The show was featured in both I-DJ magazine and DJ Mag as podcast/radio show of the week/month (or something like that!).

This mix is what I'd hope to play in a club with no restriction - starting off nice and slow and deep before building it up a little (but not too much!). I like to play for as long as possible if I get the chance so if you can imagine this mix spread over three or four hours then you'll get a pretty good picture of how my set would go.

I do hope the sounds on this CD are kind on your good folk’s ears, and all comments are appreciated!


X

Monday, 8 February 2010

A TECHNO VALENTINES GIFT


Detached is hosting it's Valentines party and if you are searching the internet for that elusive romantic gesture for your special day then I don't think you can go far wrong with buying her a ticket for this event at Beaverworks on the 13th. The main room is hosted by Labyrnth Records but it is the basement that grabs my attention where Modern Love stalwarts Pendle Coven and Andy Stott headline; I love that warm dubby techno sound these two produce and an appearance from fellow Modern Lover Claro Intelecto would have been the icing on the cake.

Alas, it is not to be, but rather than getting saddened by this you can comfort yourself with the fact that I will be doing my disco/house thing in Room 4 alongside Errol Brown (Dirty Disco), Scott Broadhead (Detached) and Mundyke (Audio Punk Records). Should be a cracker as always and you can buy advance tickets for the event HERE or alternatively send me a message on here or Facebook and I should be able to sort out some kind of discount guestlist..

Full Details of the event:

In the warehouse: Labrynth Records & Guests____
http://www.myspace.com/labrynthrecs
REEKO - LIVE [mental disorder - spain]
http://www.myspace.com/mdlabels
EXIUM - LIVE [nheoma, labrynth - spain]
http://www.myspace.com/exiumlive
SUB SPACE - LIVE [mirage, axis records, labrynth - france]
http://www.myspace.com/subspacemusic
MILLER & KEANE [audiosculpture, holland]
http://www.myspace.com/millerandkeane
MICHAELANGELO [labrynth, portugal]
http://www.myspace.com/labrynthrecs
JON HUSSEY // RYAN BLACKMAN
with
visuals by JWILX

In the basement: Modern Love & Meanwhile_____
[deep techno, dub & minimalism]
ANDY STOTT - LIVE [modern love]
PENDLE COVEN - LIVE [modern love]
DJ MLZ [modern love / cache]
MURMUR [meanwhile]
BOVILL [meanwhile]
DEMDIKE STARE [demdike stare]
with
visuals by CODE FC
http://www.codefc.org/

Room3: Electro, Dubstep, House & 80s Synth Pop______
THE SOLITUDE SUITE [detatched]
HORROR BRAWL electro set [detatched]
SYSTEMIC electro set [jactation / labrynth]
RICH SMITH // SPUTNIK
ILLEGAL COMBATANT [detatched]
SUBSTANCE D [room303]

Room4: Deep / Tech House______
ERROL BROWN [dirty disco]
MUNDYKE [audio-punk records]
SCOTT BROADHEAD [detatched]
ADAM DANIELS [kill the disco]

Drinks £2 beers, £2 shots, £1 water
Cloakroom £1
Large covered & heated outdoor smoking area

£13 tickets on sale now@ http://www.ds2shop.co.uk
£15 otd.

The free party bus will be picking up all night from the city centre.
rsvp as attending to receive bus pick up times and locations a few days before the event.

WEEKEND ROUND UP


Another weekend has been and gone and as I lie on my sofa on a Monday morning swearing to myself to have a quiet one next Friday/Saturday I took 5 minutes to review what went on over the previous 48 hours.

On Friday OOFT! music came to town to play Polaroid - the whole Ooft/Revenge/6th Borough Project sound has been filling my ears with delicious sounds for a good year now and if it wasn't for a 6 hour University workshop at 10am on a Saturday morning (what in the world were they thinking putting a lecture on at this time!) then I would have been there with bells, cymbals and hi-hats on. My housemates ended up venturing down to Wire around 1am after only going out for 'a couple of drinks' and the sight of them on rolling around on the living room sofa the following morning when I dragged myself up for my lecture was not an unexpected one! Apparently it was a real cracker from start to finish, Ali Ooft was on the money and I hear from good sources that Ste Roberts was on top form playing the final set too... Polaroid has it bang on for me at the moment and their lineups over the next couple of months mean I must try and make more of an effort to get down to their parties.

In the meantime, you can check out the Ooft! blogspot if you haven't yet done so which is full of info on new releases as well as the odd occasional edit you get to download for free - check it HERE

Saturday night came around quickly and the anticipation gathering around the city for the impending arrival of Locodice at the Mint Club was feverish - there was even talk of someone buying 3 tickets on ebay for the night for £80 EACH - are they for real?! System have really entered the Champions League of club nights with their booking policy for the first part of the year (Locodice then Luciano in Feb/March, followed by Villalobos AND Sven Vath on the Thursday and Sunday over the April Bank Holiday!) but the £20 plus ticket prices for these events that go hand in hand with booking guests of this calibre might put me off if I didn't work behind the bar!

I arrived for work just after 9pm and there was already a queue of at least 100 people waiting to get in; I knew I was already in for a long night at this point. Cormac was on warm up duties and although technically a very good DJ, I do find some of his tune selections a little questionable at times; who honestly thinks playing a 130BPM techno track as the first record of the night, followed by 'the best of Johnny D' ('Orbital life' followed by 'Sliding Away' in a twenty minute period), constitutes a good warm up set? So much for building the music up! Guti and Tini came on afterwards and both put in solid performances with some groovy house/techno and when Locodice came on at just after 3pm the club was probably the most full I have ever seen it in a long long time; Cracking atmosphere but I do question why the massive hype surrounds Locodice? This was the first time I've seen him play and I can't grasp why he has this god like status in the techno community; his set was fairly average (6/10?) and there wasn't really any musical notation to any of the tracks he was playing save for the last hour when he started knocking out a bit more deeper stuff. The previous 5 hours of music seemed very basic to these ears and stayed on the same level throughout; the 'drill' consisted of the following pattern - incessant kickdrum and snare, zero melody, beats drop out and breakdown kicks in with average baseline, crowd start screaming/whooping/raising hands in the air, loud as fuck kickdrum drops back in, ice cannon blasts out for 10 seconds, strobe flashes and then process repeats itself approximately every 5 minutes...

The crowd weren't the typical System crowd either - there was a lot of vest tops and sunglasses on show and a bit more attitude than I had experienced at previous System nights. I guess a lot of the crowd were the Ibiza/DC10 sort and that is why Locodice commands such a reputation in the UK because of the number of people that go to Ibiza and spend 2 weeks being 'converted' to house and techno after a couple of garys and a session in DC10/Zoo Project. I seen one guy with a white vest top with the slogan 'Ket, Ibiza and Sex' - how very fucking cool you are.

Despite my moaning about these things, the night was actually quite enjoyable and although it did drag on until well past 9am in the morning by which time I had lost both the ability to serve any more drinks and the will to live, System definitely did itself proud by the production of the night and the staggering amount of people it managed to attract. You can't question Locodices' quality as an entertainer either - he played for more than 6 hours, literally had to be dragged from the decks at the end of the night and danced and jived away in the DJ booth with the best of them for the duration of his set. I do look forward to the upcoming System nights over the next couple of months; Lucanio for his latino/spanish house and techno thing, Villalobos for being a bit of a living legend and Sven Vath simply for his entertainment value and party techno vibe - when he last turned up at the Mint after Cocoon in The Park last year he had to be carried out of the club without playing a record as he was so wasted!

Monday, 18 January 2010

LOUCHE GOES BIG TIME



Louche firmly planted it's place in the big time with a stonking party at the Mint last weekend; having made the bold decision to move from their monthly friday slot to the 3rd Saturday of the month, the night now faces stiff competition for the Saturday night party crowd from scene stalwarts Back to Basics as well as a host of other established nights each month. There was also a question mark as to whether the younger and more student crowd that Louche attracts each month may have been put off by the increase in both door and drinks prices that a primetime Saturday night slot dictates. Alas... I believe they have nothing to fear!

At a time typically reserved for adopting the foetal position as everyone recovers from the previous 12 months of excess, the Mint Club was jam packed as what must of been 800 plus revelers squeezed in to fight for dancing space as Louche hooked up with Twaddle to fly Martinez in for his first appearance in the city of Leeds. As midnight struck the dancefloor was slowly beginning to fill but typically on a Saturday at the Mint, 12 until 12.30 is the time that makes or breaks a night and although the night appeared steady, I definitely was not prepared for what was about to come. Sneaking out the side door for a crafty rollie at half past the hour, I was shocked to see a queue snaking back past the alley and all the way up to the entrance of D:Fusion; where had all these people suddenly appeared from? Maybe yearly jaunts to Sonar, Berlin and the like are finally beginning to take effect and a more european attitude to going out is finally beginning to be adopted on a large scale in Leeds; maybe this time next year it will be the norm to not even think about jumping into the shower until Hansen and Shearer have summed things up on Match of The Day.

Whatever the case, as the night pushed past 1.30 and the Louche residents tidied things up before beginning their handover to Martinez, an energetic young crowd bounced away on the Mint Club dancefloor. With a bad mix of people a stupendously busy dancefloor can really ruin a night, but one of the things I like about Louche the most is the friendly and smiley crowd that the night attracts; there is always going to be the odd brute or ibiza cunt in sunglasses (maybe even more so on a Saturday) but I have found the Louche crowd in general to be one full of nice people. Martinez took over the decks at around 2pm and began to ply the crowd with music that was decidedly less 'louchey' than previous incarnations of the night; maybe it was the collaboration with Twaddle but the stuff Martinez was playing was a lot more 'techy' than the Oslo/Cecile house grooves I have become accustomised to. Not that this was a bad thing in the slightest; the music being played was of the highest calibre and despite my knowledge of Martinez being very limited before the night, I have definitely walked away a fan. One of the things I have found about Louche is their knack for picking guests not so much 'out of the unknown' but ones who are just about to land it in the big time; the Seth Troxler and Miss Fitz night was well over a year ago but you only have to look at the waves the two have made since they played the Mint 18 months ago to realise the point I am making.

The Twaddle residents took over for the last couple of hours to bring the night to it's end and a nice selection of house grooves (including the J Cub Lonley Club remix - what a fucking record) kept well over 150 people lodged onto the dancefloor until the 6am finish... It may have been even longer if it wasn't for the confusion between the DJ's and Mint Club staff as to when the music had to go off! A three of four minute silence at 6am meant that the vast majority of the club had already headed for the cloakroom before the music finally came back on. Still, the party continued on down at Wire until the wee hours of Sunday morning for those wanting to abstain from the bed for that bit longer. I also have to say that the use of the lighting panel and the smoke/ice cannon were both spot on tonight; since being implemented in the Mint around 18 months ago I've often felt they weren't being used to their full potential but over the last few months they really have been firing on all cylinders (to excuse the pun) and I really think the club now does rival the club it was based on (Watergate) for it's lighting and visual show. Louche also seems to go from strength to strength and on the basis of it's first Saturday night at the club it looks like it could hit the heights of the number one weekend event in Leeds this year.

Sunday, 3 January 2010

TENSNAKE GOES ACID DISCO

Cracking new Tensnake EP due for release in January on Permanent Vacation... He knocked 'Coma Cat' out on his latest Resident Advisor mix (which you should definitely check out by the way - one of the RA mixes of the year for me) and it definitely perked a few ears on the post New Year celebrations wind down back at Chez Daniels. Check it out here, this is sure to be one of the disco/house anthems of the 2010 Spring.

Tensnake "Coma Cat" EP coming soon on Permanent Vacation by Tensnake

Monday, 28 December 2009

DISCO DELIGHTS FROM THE SOFA

I spent last night at the Mustard Pot in Chapel Allerton listening to some awesome disco sets from Crazy P and PBR Streetgang at the Asylum Christmas shindig and having been inspired by this (and due to the fact my hangover has left me incapable of leaving the sofa) I have spent the day stocking up my digital record bag. Resident Advisor started the day off with a classy podcast from Tensnake (HERE) and I had to bag a couple of old Soundstream tracks after hearing one in his mix.

This seems to be the pick of the bunch today for me..




Downtown Party network pricked my ears with a remix of Acos Koolkas a couple of months ago and I found this gem as well today - big piano riffs and maybe a little epic but definitely doing nice things to my ears. One of my mates commented it was a bit 'wine bar-ish'?? Surely not!



This rather mysterious EP from Tiger & Woods is definitely up my street as well and doesn't seem likely to get a digital release so it may well have to be one of the few vinyl purchases I make very soon. HERE

And finally this little gem from the Mole (has he ever had a bad release?!) I actually got this a couple of weeks ago and played it at Detached - bang on the money with that house/disco groove.